Konzertstück No 2, Brandt - Sergei Nakariakov, Hércules Brass Ensemble & Christian Lindberg

4:58

Even his trumpet is old and tarnished.

@@AncientRe I'm sure it's top of the line, but new and untarnished it is not.

@@C5Z06CarGuy As the other person said, it's raw brass with a clear lacquer, this is literally how it looks the moment you get it

@@Sphagetti__ How much do you want to bet?

@@C5Z06CarGuy A couple million. There is a video of one "anrapa" titled 'AR Resonance Sergei Nakariakov Trumpet Model' where he is holding this exact trumpet with it looking exactly as untarnished as it does in the video

Да, советская школа игры на трубе до сих пор жива!👋👍

Un crack 💯

Those pieces with Sergei Nakariakov would be wonderful. I'd especially enjoy Sergei playing the Peskin with his pristine and unique expression. I feel Maurice André will always be the gold standard for Brandenburg 2, and likewise for Allen Vizzutti, but hearing Sergei's interpretation and sound would be incredibly interesting.

Eu gostaria que ele tocasse Carnaval de Vênus de Allen Vizzutti.

Here's the secret of all horn players.
By the time you hear it he/she has played it a few times.
Maybe a thousand....
😮

I think it's an AR Resonance trumpet, not sure which specific model.

Ar resonance "sergey nakariakov"

Look at min 2:46… at the top in the right corner! We always record the concert with ambient microphones

In rehearsals, the conductor usually gives lots of instructions how he wants things played, style, volume, tempo, interpretations, and such. For example, there is a notable trumpet solo in Gershwin's "American in Paris" and a conductor will say if they want it played in a "jazz" style or a "Can Can" style. During the performance, the conductor makes sure everything is going per the plan, not just tempo, but everything, and, if not, he will communicate corrections. Or even might make changes on the fly. For example, George Solti was director of the Chicago Symphony Orchestra for 22 years but had also been director of the London Philharmonic for a period. Much of the London Philharmonic did not particularly care for his style. If you listen to the same classic piece under ten different conductors, you will hear ten different results. Sometimes very different results.

Asking him would be the smart thing to do. This is Mr. Christian Lindberg.... A good resolution would be to dream of being able to repeat the luxury of living it again live.

Grazie mille!

AR resonance

not a Monette, sorry

Lo invito a que lea la biografía y se entere de su historia del porqué toca así, por otro lado me parece gracioso cómo "sin querer queriendo" invalida su interpretación sólo por su postura jaja

@@juandiegoacostapulido Bueno asi tocan los trompetistas clasicos,los trompetistas que tocamos salsa brava o jazz tocamos de forma vertical,igual se respeta

@@felixtorres505 Y es que importa? En serio que es innecesario que haga ese tipo de comentarios cuando la interpretación del músico ya de por sí es casi que excelente, entonces no sé esa idea de la "postura", nuevamente, lea la biografía de Sergei, no lo hace por ser "clásico", que por otro lado no sé de dónde saco que los trompetistas clásicos tocan con esa postura, jajajajaj

El gran felix Torres juzgando a Sergey ! Incluso Arturo Sandoval y Til Brönner ven a Sergey como un fantástico e inigualable trompetista ! Muy bien felix !!

@@ernestofernandezlara5654 Solo verlo tocar con esa posicion de la trompeta para abajo (posicion avetruz asustado)se me escarapela el cuerpo del miedo.Bueno quizas para musica clasica sirve,pero no para otros estilos modernos.Yo no digo que estos asiaticos no dominen sus instrumentos,estos tienen muchisima tecnica pero no tienen filling.Disculpen es mi parecer,cada cosa en su sitio.